I view the digital humanities as a collaborative, open, and emerging field of inquiry. A state of mind, a methodology, and theoretical approach to knowledge, I embrace how it forces us to reconceive our practice. In my own work, I embrace curation, as a means of reweaving and reintegrating theory and practice in history. I seek to interpret space, place, and identity in a multi-sensory way. I fail more often than not. But the digital humanities is like jazz in that it is about process, as well as out outcome.